The reddish skin rendering may make you believe this was shot with a Leica M240, but she was in fact sitting in front of a large illuminated red sign.
So now I know how to achieve the M240 look, with respect to skin tones anyway.
However, I don’t know how to produce the muddy rendering of the CMOS-crippled Leica M240, as all I can get out of my Leica M9/M-E are those lovely CCD crisp files with superior tonality and colour reproduction, at base ISO.
For those of you who haven’t already done so, perhaps you may be interested in signing My Open Letter to Leica.
(over 280 signatures so far…)